This weekend saw the closing performance of the Department of Performing Arts' production of "Antigone," a beautiful and refreshing interpretation of the familiar Greek tragedy.
Director and AU theater professor Gail Humphries Mardirosian tackled issues of power, justice, loyalty and morality through the striking incorporation of music (memorably presented by the AU Chamber Singers) and the use of sign language (beautifully delivered by the Sign Leader of the Chorus of Thebes, played by Housing and Dining's Becca Krichinsky) to liven the text and vivify the most central themes and events.
An abstract presentation of such a well-known classic could only be presented realistically and honestly by a talented cast of actors. This production was most certainly graced with such a cast.
Kristy Powers, a College of Arts and Sciences student, accurately played the role of Antigone with grace. Her firm understanding of the character captured the audience, as she shared her misfortune and left the tone of the theater weighted by her sorrow.
Kreon, ruler of Thebes, played by D.C. actor Paul Morella, was brought to life, not only as a distant leader, but also as a man torn at the hands of his family and the law. His dominating role as regal authority was highlighted by a presentation of his humanity through moments of humor, emotion, and vulnerability. Most evident to the audience, was the absolute focus of every cast member as they worked together to recreate ancient Thebes. Daniel Rakowski lit the theater with laughter as a nervous guard, while CAS student Michael Fulvio challenged his father, the king, through his inspiring love for Antigone.
Other text and scene elements were meaningfully delivered by some of the featured actors (Kevin Carlson, Clarence McFerren, Erin Kaufman, Andrew Jacobs, Jesse Jacobs, Ben Gibson and Anne Veal) as well. The Chorus of Theban Elders (Catherine Baggs, Jacqueline Caruso, Benjamin Gibson, Laura Elizabeth Owen, Stephanie Penete, Amanda Thickpenny and Anne Veal) delivered every line, sign and reaction with brilliant intensity, surrounding the action on stage.
The production also featured a soundscape designed by professor and two-time Academy Award winner for Best Sound Russell Williams.
Thanks to the fantastic contributions of all involved in the production, the audience left the theater satisfied, feeling that they had witnessed something beautiful unfold before them, like a first glimpse at a fine work of art.