Silver Screen

The Native Cinema Showcase features overlooked stories of Indigenous culture

The National Museum of the American Indian highlights the importance of Indigenous stories told by Indigenous creators

AU professor Chris Halsne revisits a racing controversy in ‘The Hit’

Scenes that Stick: The persistence of humanity in ‘Paths of Glory’

Kubrick flouts convention with masterful control of emotion and narrative

7 escapism films to watch over winter break

 Stop doom-scrolling for a little over an hour with these easy and enthralling films 

‘All In: The Fight for Democracy’ shows the troubling history of voter suppression in the US

Stacey Abrams, former gubernatorial candidate in Georgia, tells her story

Scenes that Stick: best friend betrayal in ‘The Social Network’

The scene that shows the struggle between power and friendship

‘Chemical Hearts’ has a fresh approach but a played-out result

The new teen love story is strong in quotable moments but weak in emotional depth

Scenes that Stick: Friendship and falling out in ‘Frances Ha’

The film reminds viewers how hard it is to break up with friends

Learn about anti-racism and support the Black community with these 10 movies and series

Educating ourselves is essential to continue strengthening the commitment to social change

‘Irresistible’ has thoughtful commentary woven into its laughs but fails to be remarkable

Jon Stewart beckons for the American people to reflect and revel in the absurd with his latest comedy

‘The High Note’ is a sweet but unremarkable story about the music industry

Dakota Johnson and Tracee Ellis Ross star as two leading women navigating the music industry 

Rewatching “Paris Is Burning” helps define contemporary moments of history

Watching “Paris Is Burning” today feels like watching a contemporary artifact, a paradox created by an old camera about people and culture that are distressingly recognizable. The grainy handheld camera of the late ‘80s that was used to film 70 hours of footage directed by Jennie Livingston, who’s ...

Coronavirus has caused international upheaval in the film industry

Box offices stand to lose almost $33 million every day that theaters remain closed

“First Cow” director talks friendship and the filmmaking process

A24’s newest film is a deceivingly quiet Western about two friends and one cow

"The Burnt Orange Heresy" is a tantalizingly chilling thriller

Director Giuseppe Capotondi’s take on Charles Willeford’s 1971 art-world crime novel is filled with electric and noirish performances

Students want change from AU’s film program, and faculty say it’s on the way

Limited course selection, lack of narrative filmmaking opportunities are among the complaints  

The Eagle’s 2019 Oscar picks and predictions

In a year full of snubs and controversy, disappointment may be looming